September 28, 2020 By The 2nd Disc 13 Comments
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With a new James Bond film set to shake (not stir) audiences in November, a longtime compilation of the super-spy’s well known film themes is acquiring a new iteration on November 20.
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The Best of Bond…James Bond supplies a stellar 25-track overview of the pop themes that scored almost all of the movies based upon Ian Fleming’s renowned British key agent. Tbelow are 14 U.K. Top 10 hits and also 2 Academy Award winners herein – altogether, a formidable, half-century-plus musical portrait of among cinema’s most famous characters. First released under this title by Capitol/EMI in 1999, The Best of Bond…James Bond was reissued in 2002, 2008 and also 2012 through additional title themes and assorted bonus tracks (or, in the situation of the latest edition, for the film series’ 50th anniversary, a bonus disc of score material).
There’s a few firsts for this Bond collection: this will certainly be the set’s initially LP edition, spcheck out throughout 3 discs and also pressed on either standard babsence or restricted edition gold vinyl. (The gold collection will certainly be available specifically at uDiscoverMusic.) For the first time, this edition of the repertoire will certainly actually encompass the most existing theme: Billie Eilish’s theme to Daniel Craig’s fifth and also final Bond film, No Time To Die (because of release in November, having actually been delayed from this spring as a result of the COVID-19 pandemic).
From the earliest moments of the first Bond film, 1962’s Dr. No, the first in the 25-film series had a musical style all its own. Monty Norman’s bold, eminently hummable design template featured a killer riff from guitarist Vic Flick and also blasts of melodic brass that have actually been offered in eincredibly among Bond’s onscreen adendeavors. (Composer John Barry, who scored the initially Bond sequel From Russia With Love (1962) and also many type of of the films with 1987, arranged the design template.)
It was From Russia with Love that started to infuse classic pop sensibilities via the series’ musical DNA, when crooner Matt Monro sang the Lionel Bart-penned title track over the film’s finish credits. A year later on, 1964’s Goldfinger put Shirley Bassey’s thunderous title theme (written by Barry with legendary songwriters Anthony Newley and Leslie Bricusse) over the stylized opening credits, and also practically eexceptionally among 007’s pop themes have inhabited that prized spot. (A new critical layout by Barry was provided in On Her Majesty’s Secret Service (1969), which observed George Lazenby take over the starring duty from Sean Connery. An even more traditional tune, “We Have All The Time In The World,” ended up being a stunning late-career performance for jazz legfinish Louis Armstrong. Both are contained below.)
After making just mild flirtations with rock music in the ’60s and also at an early stage ’70s (which featured Bond themes by the likes of Tom Jones, Nancy Sinatra and also the second of 3 Bassey-sung themes for 1971’s Diamonds Are Forever, Connery’s brief return to the role), Bond producer Eon Productions hired a former Beatle to acagency Roger Moore’s first outing as Bond: Paul McCartney and Wings’ larger-than-life tune (produced by The Fab Four’s longtime producer George Martin, that likewise created the film’s score) soared to No. 2 on the Billboard Hot 100. Tbelow would be no Bond chart-topper until more than a decade later, once Duran Duran’s “A View To a Kill” reached the summit in America in 1985 for Moore’s last outing as Bond. Along the method, a number of Bond themes were nominated for Academy Awards, including “LIve and also Let Die,” Carly Simon’s “Nobody Does It Better” (penned by Marvin Hamlisch and also Caduty Bayer Sager for The Spy Who Loved Me (1977)) and also Sheena Easton’s “For Your Eyes Only” (co-written by Rocky composer Bill Conti in 1981).
Though styles and stars adjusted – Moore was replaced by Timothy Dalton for two films in 1987 and 1989, followed by 4 films featuring Pierce Brosnan from 1995 to 2002 – Bond themes continued to be massive service. Tina Turner’s “GoldenEye,” accompanying Brosnan’s initially revolve, was composed by Bono and also The Edge of U2, while Madonna had a Top 10 hit through 2002’s theme to Die Anvarious other Day. More than 50 years in, with Craig’s gritty performance as Bond revitalizing the series’ style, the songs may command more prestige than ever: the themes to Skyautumn (2012) and Spectre (2015), respectively composed and also performed by Adele and Sam Smith, both won Oscars for Best Initial Track, while Smith’s “Writing’s On The Wall” became the initially Bond song to top the charts in 007’s native England also.
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The Best of Bond…James Bond is ready to pre-order for its November 20 release. Check it out below.
The Best of Bond…James Bond (UMe B0031736-01/B0031737-02, 2020)
2CD: Amazon UNITED STATE / Amazon U.K. / Amazon Canada3LP: Amazon U.S. / Amazon U.K. / Amazon Canada / uDiscoverMusic (gold)
Disc 1James Bond Theme – Monty Norguy and His OrchestraFrom Russia With Love – Matt MonroGoldfinger – Shirley BasseyThunderround – Tom JonesYou Only Live Twice – Nancy SinatraOn Her Majesty’s Secret Service – John Barry and His OrchestraWe Have All The Time In The World – Louis ArmstrongDiamonds Are Forever before – Shirley BasseyLive and Let Die – Paul McCartney & WingsThe Man With The Golden Gun – LuluNobody Does It Better – Carly SimonMoonraker – Shirley BasseyFor Your Eyes Only – Sheena EastonAll Time High – Rita Coolidge
Disc 2A View To a Kill – Duran DuranThe Living Daylights – a-haLicence To Kill – Gladys KnightGoldenEye – Tina TurnerTomorrow Never before Dies – Sheryl CrowThe World Is Not Enough – GarbageDie Anvarious other Day – MadonnaYou Kcurrently My Name – Chris CornellAnother Way To Die – Jack White & Alicia KeysSkyautumn – AdeleWriting’s On The Wall surface – Sam SmithNo Time To Die – Billie Eilish