Spike TV’s biggest hit is its gayest display yet: Lip Sync Battle, organized by LL Cool J and via an inexplicable Chrissy Teigen waving in the background. In a extensively shared performance, Anne Hathaway allegedly won the lip-sync fight versus Emily Blunt for her performance of Miley Cyrus’s “Wrecking Ball.” And while she may in truth have won on Lip Sync Battle, did she really win? Here at slrfc.org, we’re going to go through and perform a post-complement analysis evaluating song choice, precision, and embodiment — the last item referring to the lip-syncer’s capacity to embody the true soul of the song, while imbuing it via something personal.

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Battle 1: Anne Hathaway’s “Love” vs. Emily Blunt’s “No Diggity”

Clearly the formula for the present is that the first “battle” is a bit more low-key. Anne Hathameans chose Mary J. Blige’s “Love” off of No More Drama, and Emily Blunt took on a ‘90s throwback timeless, Blackstreet’s “No Diggity.” Blunt plainly wins in terms of song option. While “Love” is an excellent song, it doesn’t hit that nostalgia nerve in the earlier of your head the means Blackstreet does. Furthermore, Anne Hathaway’s performance is technically very excellent, yet her tendency towards camp and toothy smiles throws off the love-weary mood of the song. Meaning that in the many important category, embodiment, she stops working. Blunt, on the other hand also, absolutely doesn’t overplay it: She’s tranquil yet prepared to pounce, and just slays Queen Pen’s rap.Winner: Emily Blunt.

Battle 2: Emily Blunt’s “Piece of My Heart” vs. Anne Hathaway’s “Wrecking Ball”

We’d favor to take a minute to gripe that these lip-sync battles depend too greatly on pageantry: backup dancers, heart-shaped balloons, sledgehammers, a wrecking round. These performances should be about metaphorical wrecking balls, not literal ones. That said, we suspect that Blunt’s alternative of Janis Joplin’s “Piece of My Heart” was hobbled by manufacturing antics. There need to be no hair coats, daisies, or beach balls falling from the sky. No! This is around heroin-fueled desperation and turmoil. Instead of going camp, she should have gone genuine (which, yes, is its own create of camp). That is, if you’re going to perform Janis Joplin, you perform Janis Joplin.

Miley Cyrus’s “Wrecking Ball” probably is the perfect vehicle for a campy performance, and that is wright here Anne Hathaway lives. She’s the ultimate theater boy, self-obsessed and also an exhibitionist. And as this became a performance around the manufacturing worth as a lot as it was around the lip-syncing, it becomes tough to sepaprice the great orgasm of the performance. The girl knows drama.Winner: Anne Hathaway

Overall, it’s a matter of taste: Do you prefer the camp of Anne Hathaway or the serene karaoke vibe of Emily Blunt? With a heavy heart, we’re going to need to offer this to Anne Hathameans. Just imagine her as a drag queen, and you’ll feel much better.

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