Creating Solid Layers

As you could mean, a solid layer is a layer in the size and also shade of your alternative. You develop a solid layer as soon as you require an opaque background for a nested composition. You can also use solids with masks to develop graphic aspects (Figure 4.28). You deserve to also use this form of layer to produce message impacts within After Effects. (For more about masks, check out Chapter 10, “Mask Essentials.”)


Figure 4.28 You can include message or other effects to a solid; you have the right to mask a solid to develop graphical facets (shown here); or you have the right to use a solid as a solid-shade background.

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Creating a solid doesn’t develop an actual media paper on your hard drive. But in various other respects, a solid layer functions prefer any type of other footage item: It has actually mentioned dimensions and also PAR, and also a color. (This is notable bereason older versions of After Effects didn’t permit you to set a solid’s PAR, forcing you to treat it a little in a different way than various other footage items.) However before, this doesn’t intend the solid’s settings are fixed; you can readjust its qualities at any kind of time.

To create a solid-color layer:

Open the Complace panel or Timeline panel for the complace in which you want to add a solid layer, or make certain one is active.

Enter a name for the brand-new solid.

After Effects uses the solid’s existing shade as the basis for the default name: for instance, Gray Solid 1.

Set the size by doing any type of of the following:

To make the solid the same dimension as the composition, click the Make Comp Size button. To maintain the facet ratio of the existing width and also height, click the Lock Aspect Ratio switch before you adjust the size.

Set the color by doing one of the following:

Click the color swatch to open up the color picker, then select a shade. Click the eyedropper, then click anywhere on the display to select a color.

Click OK to cshed the Solid Settings dialog.

The solid shows up as a layer in the complace. Like any kind of layer, the solid layer starts at the current time and uses the default duration of still imeras. In the Project panel, After Effects creates a folder called Solids that has all the solid footage items you develop.

To adjust a solid’s settings:

Do either of the following:

In the Project panel, pick a solid footage item.

Do either of the following:

Press Shift-Command-Y (Shift-Ctrl-Y).

The Solid Settings dialog appears.

Click OK.

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Depending on your selections, the changes you mentioned are used to the schosen solid layer, solid footage item, or both.


You can continuously rasterize a solid layer. That means, its edges remajor crisp and also smooth as soon as you range it up. This is especially noticeable when you’ve applied a mask to the solid. See “Continuously Rasterizing a Layer,” in Chapter 5; also check out Chapter 10, “Mask Essentials.” To create graphic objects, you might desire to take into consideration using a form layer rather of utilizing a solid through a mask; see “Using Shape Layers” in Chapter 14 for details.